“I deeply regret my forced absence
from the dinner given to Monsieur Rodin—for whom we all have
such profound admiration.”
WHISTLER, JAMES ABBOTT MCNEILL. (1834-1903). American
painter and etcher. Autograph Letter Signed, “J. McNeil Whistler,”
on black-bordered mourning stationery. Three pages, octavo. No place,
no date [before May 15, 1902]. Very fine condition. To “Mr.
John Seward, Esq., Hon. Secretary.” Whistler writes:
“Dear Sir, I deeply regret my forced absence
from the dinner given to Monsieur Rodin—for whom we all have
such profound admiration. The persistent weather of this otherwise
graciously inclined, and clearly artistic island, has, for the time
being, destroyed me! I beg therefore to send, through you, my greetings,
to my friend, and most distinguished confrere, and my best wishes
for the evening. May I take this occasion to convey to the Chairman
and gentlemen of the Committee my sincere felicitations on their success
in securing this Chef d’amore[?]. And I have the honour to be,
dear Sir, your obedient servant, J. McNeil Whistler.”
Whistler’s relationship with Auguste Rodin
began in 1898, when Whistler, the newly elected president of the International
Society of Printers and Gravers, showcased the French sculptors’
work at the society’s yearly exhibition. Championed by many
artists, including J.S. Sargent and Whistler himself, Rodin quickly
became the toast of London, and, on May 15, 1902, his 1878 bronze,
St. John the Baptist, was permanently installed at the Victoria
and Albert Museum. Immediately following this, the above mentioned
banquet was held at London’s Café Royal. As our letter
shows, Whistler was too ill to attend the event, missing not only
the official ceremony, but the unofficial honor bestowed upon Rodin
when the students of the Slade School of Art harnessed themselves
to his carriage and dragged it through the streets of London! Rodin
refused to depart London without paying a visit to his friend and
early supporter, lunching privately with the recuperating Whistler
two days later. Upon Whistler’s death in 1903, Rodin succeeded
him as president of the International Society, and received a commission
from the group for a commemorative statue to be erected in Whistler’s
memory at the Chelsea Embankment. Rodin began work on the monument
in 1905, creating a study he called Whistler’s Muse,
modeled after Gwen John, Rodin’s mistress and Whistler’s
former student. These preliminary studies brought Rodin acclaim in
Paris, but the work was put on hold at the outset of the First World
War and Rodin died before it could be completed.
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